The Star Wars Books Facebook page announced that the cover ofMercy Killreceived a bit of an update.
Old cover
Even though the font looks a little odd, the artwork is stunning. It captures the essence of the X-Wing books. It feels open, like space. An enemy can approach at any angle.
New cover
The addition of the symbol makes the cover look a bit crowded. The space seems too closed off. The white/silver coloring makes it appear somewhat washed out at parts. It also reminds me of the anniversary edition of Heir to the Empire.
The question is why it was changed. Using a cover design that reminds fans of books they loved makes more sense marketing-wise. If someone quit reading the books for whatever reason, and then saw a cover at a bookstore that looked kind of like a set of books she liked, it seems more likely that she'd pick up a copy.
If anything, the new cover further separates the book from previous X-Wing novels.
Few movies manage to capture to true essence of a book. Fortunately, for fans, The Hunger Games succeeded where films like Harry Potter and the Deathly Hallows Part 1 and Eragon failed. There were changes, as expected, but not ones that were detrimental to the feeling of the story.
Immediately fans see how terrified Primrose Everdeen, the main character Katniss’s sister, is of the reaping that day. It’s clear from the beginning how much Katniss cares for her sister—and how emotionally distant she is from her mother. This scene sets the feel for the rest of the film beautifully.
The casting choices for The Hunger Games fit perfectly. Willow Shields broke hearts as young Prim. Woody Harrelson captured Haymitch perfectly—and hilariously. Josh Hutcherson portrayed Peeta’s feelings towards Katniss and his own life in a moving, meaningful way. The spirit and soul of Katniss comes out brilliantly through Jennifer Lawrence. Each cast member brought his character to life in a believable, fitting fashion.
The addition of scenes not from the books didn’t detract from the story; they enhanced it and set up for Catching Fire and Mockingjay. The scenes with President Snow brought chills to the skin while the moments in the Gamemakers room contained a mixture of horror and fascination. The ones orchestrating the obstacles in the area seemed proud of sending children to their deaths. The technology, though, is quite interesting to see. Think Iron Man’s computer system.
Katniss and Gale
As with any adaptation, some scenes don’t make the cut while others face alterations. The only real complaint in this department is that if a person hasn’t read the book, she may find herself confused on a few points. Fortunately, through the role of Caesar Flickerman, there’s some explanation throughout the Games. It’s almost like sports commentary. It’s easy to miss details like who Foxface is, that Peeta and Katniss trained together at first and that Haymitch was a former tribute.
As expected, the movie contains dozens of incidents of violence. Through shaky camera work and angled shots, viewers see what happens without it being gratuitous. The shaking shots can make viewers a bit dizzy or disorientated, so this is definitely not a movie to watch up close. The amount of blood is enough to make the point without taking it too far. There’s a certain feeling of wrongness accompanied with watching children fight to the death; a feeling present in the books and that fans should never lose. Director Gary Ross captured the horror in an effective method.
Katniss and Effie
Because of the extreme violence and emotionally gripping scenes, The Hunger Games is somewhat hard to watch. From the moment when Katniss volunteers to take Prim’s place to the trials in the area, it’s impossible to remain completely calm. Be prepared for tears, laughter and anxiety. It’s difficult to watch characters die, especially ones that worm their way into the hearts of fans without us realizing it. It’s worth it, though.
The Hunger Games is a must-see not only for fans of the book, but the general public. Katniss Everdeen is a true heroine, one that we can all admire. If the box office numbers tells us anything, it’s that the a movie lead by such a fantastic character with an amazing story can and will take the world by storm.
Timothy Zahn's much-anticipated Han Solo novel has a title: Scoundrels. EW. com has the cover art for all to see. The cover art features Han, Chewbacca and Lando.
Ocean’s Eleven meets Star Wars in this classic adventure set just after Star Wars: Episode IV A New Hope. From #1 New York Times bestselling author Timothy Zahn.
The Death Star has just been destroyed and Han Solo still needs the money to pay off the bounty on his head. Now the opportunity to make that money and then some has walked into his life in the form of the perfect heist. With nine like-minded scoundrels, he and Chewbacca just might be able to pull it off and live to tell the tale!
Sounds like a fun read! The listing states Dec. 26 as the release date. That, of course, can change at a moment's notice. The only question I have thus far is about Lando's participation (see Key Selling Points). Is Zahn going to create a different "swindle" than what we read about in the Han Solo trilogy?
In other news, check out Eric Geller's Troy Denning interview on the Suvudu blog regarding Apocalypse. It contains many eye-brow raising remarks regarding Abeloth (no real explanation), Ben, Vestara and an illogical look at Jaina (this is Star Wars. Stories happen all over the place. Not an excuse to keep her and Jag apart).
Marketing is a powerful tool. Lionsgate is releasing a steady stream of pictures, videos, trailers, interviews and other medium for The Hunger Games. As with many movies, it started small. The occasional pictures, the short teaser trailer. Then they launched a website that allowed fans to find out what district they’d reside. The official Facebook page and Twitter feed posted pictures, often coupled with quotes from the book. Theatrical trailers hit movies theaters and the internet. Books and magazines further pull people into The Hunger Games.
Hunger Games merchandise is all over the internet and creeping into stores. Companion books, the mockingjay pin and posters are pretty easy to find. For those who want something a little more, online is the best avenue.
But how much marketing is necessary? There’s no answer to how much a company needs to push a movie. If the movie itself cannot enthrall audiences, millions of dollars in promotions won’t do a bit of good. Take a look at last year’s The Green Lantern. It was impossible to escape those ads. Everywhere people looked; there Ryan Reynolds was in a weird green suit. It needed to make $500 million to fall under the success category. It didn’t even make half that amount. The trailers alone tell viewers to run away.
The Hunger Games benefits from a strong book following. Fans want to see their favorite scenes come to life in accurate, tasteful manner. Each image Lionsgate releases is scrutinized and debated.
Even though countless fans would still see The Hunger Games without the constant clips and images sent their way, would so many be eager to attend midnight screenings or feel as if they had to see it opening weekend? Each snippet makes fans want more. It’s like eating rich chocolate cake; you can’t have just one bite. The more that fans can see, the more they want the whole film.
Without marking, the masses wouldn’t know about a movie. How many people picked up the book because the trailer caught their eye? Social media allows companies to reach even more people than they could before. It also makes it easier to pass around a new image or clip.
Given the number of tickets already sold and the positive reviews, it’s safe to predict that The Hunger Games will be a box office smash. Other films can look at the example when hyping up their own films—provided the content is worth watching.
And there's no question of the content of The Hunger Games.
Upon hearing the title of the last book in the Fate of the Jedi series, I cringed. Apocalypse is a word we’ve heard far too much in the past two years. The infamous Mayan 2012 prediction creeps into all media at random intervals to annoy us. Apocalypse seems as if it’s an overly dramatic title for a Star Wars book. The galaxy facing certain destruction is old news. Troy Denning closed out the FotJ with a plethora of action, just as he did Legacy of the Force.
On the surface, Abeloth sounds like a terrifying being. She can’t die. She can be in multiple places at the same time. She has no limitations. After finding out exactly what Abeloth is supposed to be, I felt highly skeptical. The history the Killiks gave bothers me to no end.
I don’t like the idea that everyone’s path is predestined. That takes away the responsibility of choice. The Killiks made it sound as if Abeloth would come no matter what anyone did. There was nothing Luke or anyone else could do about it and that’s an idea that I’m not comfortable with in literature or life. Anakin Skywalker chose to kill Mace Windu and pledge himself to Palpatine. Jacen chose to listen to Lumiya. The drunk driver chooses to climb behind the wheel of his car. The woman acts to cheat on her husband. Personal choice is necessary to avoid chaos. Regardless of how logical the Killiks argument may sound, taking it for face value even coupled with some story Yoda told Luke, is far too trusting for a group of strong Jedi. That the Force has a being that causes massive amounts of destruction for the sake of it doesn’t sound like the Force we all know.
Right from the start, Denning pulls readers into a rich, action-packed infiltration of Coruscant. It sets the idea that the Jedi are there to take the situation into their own hands. Those who prefer a more philosophical or mystical battle for the Jedi may find the book a little frustration at times. It’s gorier than most Star Wars books, what with the way the Sith die, Saba’s fight in the Jedi Temple and Abeloth’s use of her tentacles (think Davy Jones in Pirates of the Caribbean). The pace slows down in the middle a bit, but picks up towards the end. There’s some repetition towards the end that can bog down readers and at times, it’s hard to picture a location.
The strongest part of the Apocalypse isn’t the plot; it’s the characters. As this is a Denning book, Han Solo dances from the pages with sarcastic humor. Master Saba Sebatyne comes across somewhat tamer than she has before (in behavior, not physical combat). Unlike previous Denning-penned books, I found myself pleasantly surprised at the portrayals of Jagged Fel and Jaina Solo. Even Tahiri became much more appealing, a first in this series. She’s wallowed in grief and self-loathing far too long.
Probably the biggest change in characterization was Luke Skywalker. It’s clear by the end Apocalypse that Luke’s growing away from his role as Grand Master. Near the end, Ben mentions that eventually the burden will fall to Jaina’s generation. Throughout the series, Luke still acts as a competent fighter, but he’s physically weaker. While Luke’s power isn’t fading, it actually feels as if a shift is occurring with the Jedi Order. It feels like a natural change.
These revelations came clearest through the conversations between Luke and Jaina. Gone were the rash decisions, the constant back and forth her character constantly suffers. She’s the one who acts as the voice of reason. This is a Jaina that needs to stay. Denning created a balance between the fighter, the Jedi and the woman. Her decisions were logical and sound. There were no questions about her and Jag’s relationship. Even though they didn’t appear in the same place until the very end, the little actions of her calling during a lull in battle and his concern for her during his own crisis spoke volumes more than a conversation about the relationship.
The end of Apocalypse left me with mixed feelings, excluding the last chapter that better fits the term epilogue. Had Abeloth been a more impressive or conceivable villain, the defeat would seem impressive. The elements were there, but the problems lie in the Abeloth character, not the actual confrontations. The end leaves a plethora of questions. What happened to the Dark Man? Is Vestara the next threat or will she disappear? Where do the Jedi go from here? How will the whole future of the Empire play out regarding to Jag?
Some of these will surely come up in whatever Del Rey produces next. As Denning mentioned, the possibilities are endless. The book truly felt like a turning point in the Expanded Universe, something it desperately needs.
Fate of the Jedi Apocalypse is the end of the Jacen Solo era, according to Troy Denning.
I’d never thought of the books like that and still don’t. Denning said it started in the Dark Nest Trilogy, which he said was Jacen’s personal journey. Legacy of the Force was his social journey and Fate of the Jedi was Jacen’s spiritual journey. This coincides with how Denning writes his own books.
I’m still not sure what I think about this. I see the mechanics and the overall arc, but I don’t know. I’ll have to think on it some more.
I didn’t know what to expect when I arrived at the Barnes and Noble in Carmel, Ind. for the second stop on the Apocalypse book tour. Stormtroopers, Darth Vader, two Rogues (one man and one woman), a Sith cheerleader, Rebel officer and other types of troopers stood in the front of the store like some type of guard. I picked up my copy of the book, received a wristband and found a seat in the metal chairs by the magazines. The evening started with a chat by Denning and then a question and answer session. The questions spanned Denning’s work and writing.
When it comes time to write a series, the authors, editors, marking and continuity folks meet to discuss the details. Denning stated that each author has a list of plot points for the book he is to write. He used Star by Star as an example, as he was sure no one would be spoiled (he hates spoilers). Anakin Solo dies and Coruscant falls made the list.
Regarding the writing process for FotJ, Denning said, “We don’t share much in the process of writing.” It messes with the momentum. He did point out that they did share a little more of the Ben and Vestara scenes.
Denning pointed out something about the editorial staff and writers that I think captures the feelings of some fans. There’s a certain push for war stories.
“Ended [Apocalypse] in a way to open up a million different kinds of stories,” Denning stated. As for the title itself, he said it fits the current state of the EU. The old EU we all knew is evolving into something new.
And that’s a good thing.
A question arose about the Legacy comics and if Denning and the others felt pressure from the events. While there’s a good chance that the books will eventual lead to that point, Denning stated that the authors and editorial staff are “trying to make the journey of how we get there interesting.”
He used the example of Jagged Fel, whom the Legacy comics revealed to be an emperor. There are things they want Jag to do before that happens.
For the record, Denning said that he didn’t know if he’d be involved or what was happening next in the EU.
As with most author talks, the subject turns to writing. The main piece of advice he had to give was, “It’s easier to fix it than do it right the first time.” It’s very true. Becoming bogged down in details and worrying if something is correct can ruin the stream of creativity. Yes, writers need to be aware of major details, but it’s not necessary to stop every few minutes to check previous pages.
Everyone needs an editor. Denning’s wife looks at his first drafts. He said that he finished Tatooine Ghost (the “chick book” he wouldn’t normally write) three weeks before the deadline, handed it to his wife and she told him to tell them he’d be late. One of the issues was an overuse of Chewbacca to the point where he was practically in Han and Leia’s bedroom. The reason for his constant appearance was that it was the first time Chewie’d appeared in a book after his death in Vector Prime.
Writer’s block is something we’ve all encountered. Countless writers offer various reason and ways to beat back the beast.
According to Denning, writer’s block occurs when a person is “really not prepared to write.” After he said it, I realized that there was some truth to that. While I don’t think it’s true all of the time (especially regarding news articles), the lack of inspiration or ideas is the root cause of many cases of writer’s block.
Overall, I’d consider the evening rather informative. His “chick book” remark was rather off-putting and a cause for concern. It was clear that he has a passion for Star Wars, especially Han and Leia.
Now to read Apocalypse to see how Denning’s latest entry into the EU is.
The use of a sword or mastery of a bow and arrow isn’t necessary to fight a successful battle. Peeta Mellark manages to manipulate the Hunger Games without the use of spears, maces or other weaponry. Instead, he uses the mind.
A good love story pulls at the hearts of many. Peeta’s heartfelt revelation of his love for Katniss creates the ultimate helpless situation. There’s no way he can win. (Check out the clip of Peeta telling Caesar here.)
Peeta’s revelation not only creates sympathy for him, but Katniss as well, which was the point. Peeta hold no hope to win the Games. He wants Katniss to survive. Throughout the book, Peeta does various acts to play on the “star-crossed lovers” ploy he cooked up, probably with some advice from Haymitch. It’s not hard to believe that Peeta truly loves Katniss through his actions and words.
Because the story uses Katniss’s point of view, readers don’t know what all Peeta does during the first part of the Games. Capitol replays some of his actions at the end of the book, but not all of them.
Waiting for the scores
Katniss uses her own forms of manipulation on the Capitol crowd, frequently playing off the love story once she figures out that’s what Haymitch wants. During The Hunger Games, Katniss has not realized how she feels about Peeta, aside from feeling as if she owes him and that they have some sort of past connection. It’s easy for readers to put the pieces together, though, to learn before Katniss does.
Peeta’s work on Capitol’s crowd added to the foundation Katniss laid down by her own actions to that point. The two of them fought against Capitol not with the intentions of inciting a rebellion, but to save someone they loved. Neither character believed their actions would stop future Hunger Games from occurring or stop Capitol.
Peeta takes the star-crossed lovers theme one-step further in Catching Fire when he announces that not only did he and Katniss wed already, but also that she is with child. On the surface, this move seems like a cheap shop to top Peeta’s reveal in the first book. It works even though Katniss and Peeta don’t play on the idea constantly throughout the Quarter Quell. The pregnancy claim stirs the hearts of the Capitol citizens once more, possibly forcing them to ask if it’s right to throw a pregnant woman in the area to die. Given how obsessed with the self the citizens are, it’s doubtful.
Peeta
Because of the rebellion plot occurring, the pregnancy bit doesn’t seem as relevant as a reveal. It’s necessary, however, given how Peeta behaved in the first Games. He must continue to play on his true need to keep the woman he loves alive. As explained later in the trilogy, Katniss and Peeta did not know about what the plan the other allied tributes were following. To drop what Katniss believes is a ruse puts their lives in even greater danger, quite a feat given Katniss and Peeta’s participation in the Quarter Quell. Capitol made it clear with the scores that they want Katniss to die. The convenient use of the previous tributes is another strong indication of this, whether a reader believed that the card actually read what it did or that Capitol changed it.
Peeta’s personality and determination to keep Katniss alive makes him a very likeable character. He doesn’t play the victim, something easy to do in the situation. He shows frustration with everyone, even Katniss, taking away the thought that he is a pushover. One of the best Peeta scenes occurs in Catching Fire when he finds Haymitch and Katniss the morning after the Quarter Quell announcement. He comes up with a strategy and puts the plan into action.
Peeta’s injuries in both Games can make him appear as a hindrance to Katniss. However, Katniss’s caring side had to come out during the Games to remind readers of the type of person Katniss is. Aside from a survivor, she takes care of those she loves.
Capitol’s torturing of Peeta is heartbreaking. To see such a caring individual reduced to madness is hard to endure. It’s easy to feel anger towards Peeta during the interviews in Mockingjay and his subsequent behavior, but it’s necessary to keep in mind what had happened to him.
The burned bread
Being unable to determine what’s real or not real leads to a terrible existence. The woman he loved would cause pure terror rather than help him recover. His family was dead.
Peeta complements Katniss’s character without becoming a flimsy or transparent person. He maintains a true presence through the trilogy, something not all love interests manage to do. Peeta’s masters of manipulation deserve applause, for he helped beat Capitol at their own game.
Nadia, my Jedi Knight, ended her class story standing with the rest of the crew in front of Grand Master Satele Shan and a grateful crowd. In a moment that was pure A New Hope, T7 booped, applause rang through the ship and there the heroes stood. The only thing missing was the first notes we’ve heard after the credits countless times.
Instead, the quest acceptance box popped up and the Jedi Knight class story came to a close.
While leveling my Jedi Knight, I ran with my husband’s Jedi Consular. We’d do class story quests together, so I’ve seen a good chunk of the Consular. Of the two Jedi classes, the Knight is much more militaristic and action-packed. Though the Consular must defeat his own share of enemies and Sith, the Jedi Knight seemed to have more such missions. Given the roles, it makes sense. Ultimately, these differences in class story can act as a strong indication of which Jedi a person wants to play.
Solved puzzle in Temple
By Act Three, it’s clear what Nadia’s final task will be: facing the Sith Emperor. On the way to the throne room, I had to choose whether to save a member of the crew or leave him. I choose save, much to Lord Scourge’s massive dislike (he has almost -1000 affection towards Nadia). T7 is the only companion the Jedi Knight can take on the final mission because the Emperor can't influence a droid. (So make sure to upgrade T7's gear). Immediately the fight reminded me of the Force phantoms Lumiya created in Betrayal. The confrontation is a satisfying end, but the final dialogue options with the Emperor seemed skewed with Light/Dark points. I chose the Light Side option and earned 50 points. Given the Dark Side option, it seems as if the decision warranted more than 50 points. Generally speaking, there are far less Light Side point options than Dark.
The Jedi Knight contains a consistent military tone to it. It’s very common solider, right in the middle of everything. It felt very “Star Wars.” I’d recommend it to anyone wanting to feel as if they are on the front lines.
While watching the Consular story, I was constantly reminded of Obi-Wan. Earning the Master title much earlier than the Jedi Knight, the position on the Jedi Council, the negotiating, it’s all there. The Consular drips Obi-Wan (if played completely Light) like the Smuggler bleeds Han Solo. The Consular heals and saves.
Blocking the Emperor's attacks
Most of the final confrontations for the varying planet storylines are roughly the same. A bit of variety with the fight mechanics would have been nice to see. If it were a group event, the term “tank and spank” comes to mind. Those fights were always nice in World of Warcraft after dealing with a raid boss with a nasty quirk.
My only major complaint is occurs when the crew works to capture the Emperor. The Jedi falls to the Dark Side. There’s no option to avoid it. The Emperor invades the mind and influences horrible acts that are never revealed. BioWare also doesn’t say how long the Jedi Knight is in the Emperor’s clutches.
This story point isn’t right. The option should exist to allow players to try to trick those around her that she’s fallen; only she hasn’t. The Jedi is now tainted and there’s not a thing a player can do about it. The only point, it seems, is to push Dark Side favoritism. The move was so out of character it was ridiculous.
Aside from that incident, the Jedi Knight storyline is quite enjoyable. I recommend it to anyone wanting to feel like Anakin Skywalker, Jaina Solo, Corran Horn and other Jedi warriors.
I’ll be honest; the most exciting part about hitting max level wasn’t seeing my level change. It was that I could put the purple crystal that’s been burning a hole in my inventory for a few days into the slot on my lightsaber. I still have to finish Corellia and the Jedi Knight class quest.
It was my goal to have a purple lightsaber as a Jedi Knight long before I ever made Nadia. I’ve always liked the purple lightsaber, first introduced via Jaina Solo. The purple lightsaber seems sleeker than the blue or green, for some reason.
At first, I’d heard that only the Sith could have purple. Then, a person in the guild mentioned that he thought a world boss dropped it. A couple days ago, BioWare added in some crystals that players could purchase with their hard-earned credits. The vendor selling these crystals will disappear at the 1.2 patch. There’s a white crystal, too. I haven’t seen anyone with that yet. It costs a couple million credits.
I was on Corellia, waiting for my husband to arrive with his Jedi Consular so we could start questing. He opened up a trade window upon arrival and there it was a purple lightsaber crystal. It sat in my bags, waiting. As a side note, I did have the credits for it and planned to purchase the coveted item when I returned to the fleet. The funny thing is that the crystal is a great gift.
Nadia’s all decked out in a new chest piece (so long, caped crusader) and new boots. She’s not wearing a hood anymore. I’d forgotten exactly what her hairstyle was. I haven’t seen it for around 40 levels.
I plan to try to finish the class story this weekend. Until then, you can find me running around the warzones with a purple blade.
From the moment Katniss describes Cinna’s appearance, it’s obvious that he is a man of subtle skill. Unlike others in Capitol, he hasn’t dyed his hair some crazy color, undergone surgeries to change his appearance or any other odd fashion quirk. He dresses in simple black clothes with gold eyeliner around his dark eyes. From there he continues to surprise Katniss by admitting that he wanted District 12, the least desirable of Panem, and that Katniss must see the beings of Capitol as “despicable.” (p. 64) He doesn’t deny that he is one of them, and yet it’s clear that he knows how wrong Capitol is.
Cinna and Portia, Peeta’s stylist, develop costumes for the parade that allow flames to burn around Katniss and Peeta without causing injury. The purpose of the costumes is to force everyone to see and remember District 12. The fire theme carries onto the night of the interview in Cinna’s next creation. The prep team transforms Katniss’s hair, skin and nails into complimentary accessories to Cinna’s masterpiece. By using colored gems, the dress appears as if it is on fire. She spins and the flames engulf her, yet she remains unharmed.
Entertainment Weekly: Katniss and Peeta in fire suits
Fire commonly accompanies the notion of power. Flames destroy, often uncontrollably. Cinna’s works of art fueled the idea that Katniss can win the Games and will not back down. Her score reflects her skills, but visuals often intimidate more than numbers. Seeing a woman under the illusion that she cannot be harmed by flames plants a seed of doubt in the mind.
Cinna’s costumes would not have worked had Katniss not been who she was. Had she simply given up, not acted as she did during the parade or interview and acted sullen, it wouldn’t have worked nearly as well. Throwing a doctor’s coat on a man doesn’t mean he can perform surgery. Cinna’s designs inspired and enhanced Katniss.
Given how important image is to Capitol and its people, the role of the stylist is completely necessary. Molding a person that no one knows into some type of image the crowd will adore is a challenge. The tributes need the crowds to want them to win. Those sponsor gifts can place a tribute in the winner’s circle.
Contains spoilers for the end The Hungers Games, Catching Fire and Mockingjay.
The fire theme continued to the end of the book, in Katniss’s Victor’s dress. It’s yellow, made to look innocent. The idea is that it glows like a candle. The innocence is vital after what occurs at the end of the Games. He once again must use clothing to prove a point.
Cinna’s work continues in Catching Fire, first through her “talent” and Victory Tour dresses and later on at the Quarter Quell. Rather than set Katniss on fire again for the parade, he creates an outfit that is designed to look like burning coals. I took it as a display of growing resentment towards the Games. President Snow didn’t allow Cinna to make something for the interview. Instead, Katniss was to wear the wedding dress Capitol had selected for her. Cinna made his mark, though, causing the dress to transform Katniss into a mockingjay when she twirled.
Fortunately, Cinna’s work appeared in Mockingjay in the armor Katniss wore when she fought. It also resembles a mockingjay.
End spoilers.
Interview dress
As with any book to movie conversion, I find myself concerned about some points. One of these is Cinna’s costumes, namely the interview dress. We’ve seen pictures of it. It’s red with a pleat-like bottom that may give the appearance of flames. I hope. It’s such a spectacular dress in the book.
Cinna fights back without weapons or words. It’s artful and cunning. I can’t wait to see his work brought to life.
